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'A rip-roaring space opera debut.' SFFWORLD 'A fantastic debut novel from a very talented writer. This book contains everything a fantasy read could want, great new world, three dimensional characters, a great plot and extremely interesting ideas through out. Johnson expertly integrates the past into the present giving the tale depth and history. Brilliant.' Waterstone's 'Not only a fantastic fantasy adventure but also a thought-provoking insight into today’s society.' Fantasy Book Review 'Hugely original, gritty yet surreal and entirely within the bounds of imaginable possibility. This is not a take-it-or-leave-it book, I couldn't put it down.' The Truth About Books 'Johnson's ability to create very real characters in his fantasy world sets this book apart from many of his peers.' EC 'Erth Chronicles is more than just a collaborative online fantasy world...' ImagineFX BIOGRAPHY 'As an artist he has remarkable range, and treads easily through the usually conflicting realms of classic contemporary commercial art, and science-fiction / fantasy art - wisely (and this is rare) refusing to place one above another in terms of their meritocracy.
As a writer he’s an engineer. Whether it’s a short, punchy comic story or a novel, Rich brings to it the inherent eye of the Midlander. Derby (coincidentally our joint home town) is famous for its engineers. From Rolls Royce aeroplane engines, to the railways, canals and narrowboats - it built a reputation for hard work and an eye for detail. Every machine-head, cog and piston supremely crafted, well oiled and made to last. You can’t escape the form and function he brings to bear on his work, the clarity of his vision. The invention.
More than that, though, Rich is a great guy to go for a beer with. He has a voluminous knowledge of many things, music and film chief among them. He has an endlessly inquisitive, and quick mind - always alert, and interested. And he has boundless enthusiasm. He works bloody hard to achieve his richly deserved goals.
I’m going to sit back now and just enjoy watching him fly.' Liam Sharp Uncanny X-Men, Hulk, 2000 AD Richard ‘James Johnson’ was born in Derby, England in 1976. Having studied Graphic Design at Bedfordshire University he went on to win a prestigious D&AD first award. Developing a taste for writing early on in life, his passion for storytelling culminated in two books (he’d rather forget) at the age of twelve. In addition to his work as a writer, he’s also an accomplished Illustrator and Graphic Designer, which he also lectures on and leads a degree level course in Nottingham.
The Enemy’s Son is his first novel.
The son of an aircraft engineer and cook, he was encouraged from an early age to follow his interests and overactive imagination. Never deterred from a high level of passion and enthusiasm, he developed a number of obsessions that still help shape his writing and artwork today.
In 1982, at six years of age, he had begged his parents to take him to see
The Dark Crystal. ‘The film had a profound effect on my life, sparking an interest in not just sci-fi and fantasy, but the arts in general.’ A child of the eighties – Saturday morning cartoons and film became an obsession; from
Star Wars to
Indiana Jones,
The Thing to
American Werewolf in London,
Akira to My Neighbour Totoro, Kurosawa to Eastwood, Ray Harryhausen to Peter Jackson – he has admired and continues to admire pioneers in their field.
As well as his love of film and literature, James is also an avid appreciator of comic books, in which he has also started to write. Personal favourites include the classic British weekly war series,
Battle, Alan Moore’s
Watchmen, Frank Miller’s
Batman: Year One and Garth Ennis’ run on
Hellblazer and subsequent
Preacher series.
During the mid to late 90s, he studied at University where he developed his interests further. From researching examples such as the Bauhaus, it helped underpin a lot of the theories and philosophies of design he had questioned. He discovered more influential films and literature and began to understand the underlining themes and complexities of certain classics such as
Brave New World and
Blade Runner.
Milton’s
Paradise Lost opened his eyes to religious interpretation - discovering how seminal and influential it was on the likes of Tolkein, he noticed they only took the essence; the representation of these characters and religious connotation, using symbolism and metaphor. As he slowly gained confidence in his own writing, it was in his late twenties he began to map out his own epic story, which would eventually become
Erth Chronicles.
James Johnson’s writing is often referred to as highly imaginative, cinematic and fast paced - a reflection of his continued interest and passion for the visual arts.